The future of Early Music research in a Poster session!
COMPOSERSHIP BEFORE MUSIC PRINTING
From the 12th c. on, there is growing impulse to add composer’s names in music manuscripts. Where, when, how, why, are composer’s names added?
A poster created by
Pascale Duhamel University of Ottawa, Canada
Vanderbilt University, Canada
Read more about Pascale Duhamel
Poster >
CULTURAL HERITAGE FOR ALL TO ENJOY – THE DEN BOSCH CHOIRBOOKS
The illustrious Brotherhood of Our Blessed Lady, founded in 1318, owns an extraordinary collection of choirbooks from the period 1450-1600, nine of which feature wmusic by composers such as Pierre de la Rue, Jean Mouton and many others..
A poster created by
Peter de Laurentiis
Poster >
EARLY MUSIC IN THE 21ST CENTURY
It is time to rethink, reevaluate and reboot the early music movement.
A poster created by
Mimi Mitchell, Conservatory of Amsterdam, the Netherlands
earlymusic-revived.com
Poster >
HOW DOES SPANISH POLYPHONY SOUND?
A history of performance practice using recordings through the Twentieth Century.
A poster created by
José Vicente Sánchez Albertos, Universidad de la Rioja
Poster >
BARTHOLOMEO BERNARDI (1660 ca.-1732)
I Solisti Ambrosiani have dedicated a period of study and research to the figure of Bartolomeo Bernardi (ca1660 – 1732), Baroque composer and violinist from the Bologna area.
A poster created by
Tullia Pedersoli, I Solisti Ambrosiani
Poster >
LA COURANTE FRANÇOISE
Historically informed performance of the French courante for harpsichord during the second half of the seventeenth century, following the criteria obtained from the baroque dance.
A poster created by
Diego Ruenes Rubiales, Royal Conservatoire The Hague
Access to the full research
Poster >
PARTIMENTO FOR MELODIC INSTRUMENTS
“Partimenti, a pedagogical device that developed in Italy (…) and shaped the musical mind of innumerable composers during the eighteenth century and part of the nineteenth all over Europe.” – Prologue, The Art of Partimento, Giorgio Sanguinetti.
A poster created by
Robert de Bree, With aid of the Festival de Musique Improvisée de Lausanne
Poster >
THE GANASSI RIDDLE
An artistic research project towards the familiarity with the aesthetics of Fontegara (1535)
A poster created by
William Dongois, Tiago Simas Freire, Timea Nagy, HEM Genève
Link to the video
Poster >
SPANISH GUT-STRUNG GUITAR
Recreating a lost performance practice. A deeper understanding of Francisco Tarrega’s legacy and the Spanish guitar schools.
A poster created by
Yiannis Efstathopoulos, Vrije Universiteit BrusselKoninklik Conservatorium Brussel
More:
yiannisefstathopoulos.com
Poster >
TOWARDS A GLOBAL PERFORMANCE PRACTICE
An approach which takes into account the connections and influences of performative traditions from around the globe.
A poster created by
Dr. Žak Ozmo, L’Avventura London, UK
Dr. Vanessa L. Rogers, Rhodes College, USA
Read more
Poster >
THE HORN OF LEUTGEB AND MOZART INVESTIGATION AND EXPERIMENTATION
What kind of horn Josef Leutgeb – Mozart’s horn player friend – played by the time the composer wrote his concerti for him?
A poster created by
Nicolas Roudier, Koninklijk Conservatorium den Haag
Learn more about Nicolas Roudier
